Trafalgar
I have a strong dislike of mangaka who dismiss putting any effort into creating backgrounds and settings for their stories. Our environment shapes us, so why should stories and the lives of their characters be any different? I believe comics should consist more of just heads talking to each other. At least if there’s any illusion of depth. So it’s rather sad, but I get overly excited when I see someone create a well-structured, detailed backdrop for their stories. I’ve been obsessively reading the works of Aoike Yasuko, particularly Eroica Yori Ai wo Komete, for a while now. Eroica is a manga that focuses on a world-class art thief and a NATO intellgience officer, so naturally, there’s a lot of globe trotting. They travel to so many different countries and Aoike always manages to make sure you’re actually aware of that. The setting is different and spiced with her characteristic hint of comical stereotypes that seamlessly blend with the manga’s tone. So I knew Aoike was no stranger to creating detailed, varied settings. But that still didn’t prepare me for her maritime story set during the Napoleonic Wars, Trafalgar.